What's the big idea?

Neil Dawson, Executive Planning Director, TBWALondon and Michael Ellyatt, Senior Planner, TBWAGGT Direct

Debates about media-neutrality and its sibling, integration, have ebbed and flowed for decades with no clear outcome. Agency business models remain based on execution while client structures generally reinforce a 'silo' approach to the communications channels available. It is our thesis that this is not an issue limited to strategic planning. It raises fundamental questions about how and where value is created for clients and the future role and remuneration of agencies.

Clients want advice, strategies and, above all, ideas that will create value for their business and build competitive advantage in a world of ever-more complex brands and consumers.

Increasingly, they require these ideas to be solution-neutral, not simply media-neutral. The very term media-neutrality pre-supposes the use of an established 'silo' of media. Yet so many innovative solutions come from breaking with such conventions and challenging definitions of media.

By building the famous ice hotel, Absolut brought a new dimension to its marketing. Fallon's web films for BMW probably conveyed more about brand and car than any conventional media campaign. For UNICEF in 2001, the impending plight of children facing an Afghan winter was dramatised by printing the message on Autumn leaves.

Yet most agencies are neither structured nor remunerated to be solution-neutral. Their advice risks being accused of self-interested 'discipline-centricity'. Additionally, each discipline has itself become increasingly specialised and complex. This has exacerbated a lack of mutual understanding; from the separation of creative and media, different disciplines increasingly inhabit their own ghettoes.

So clients who want solution-neutral ideas, strategies and advice are serviced by communications agencies who, for the most part, offer a limited range of executionally-driven answers. Clearly the so-called 'Holy Grail' of marketing represents a huge opportunity for anybody bold enough to rise to the challenge.

In order to achieve the vision of solution-neutrality, there must be a fundamental review of the way agencies consider their client's business. Where do we start?

We begin with the idea. Not just the creative executional idea but the brand 'idea behind the idea'. This is the means by which the brand connects with its audiences in order to achieve its objectives. It accommodates both yet avoids the often predictable outcomes of consumer led or objective-driven thinking.

Brand ideas drive differentiation and margin. They also drive relationships. Together these drive profit.

Thus for Apple, 'Tools for Creative Minds' is the springboard and touchstone for all activities from media relations to locations where customers sample the products.

Idea-centric thinking is the foundation for a new TBWAGroup discipline called Connections Planning.

Connections are defined as anything and everything that exists between a business and its target audiences. The foundation of the thinking is the Connections Wheel, which is used to categorise and analyse Connections and plot how they might work together (below)

This approach goes beyond the classic who, when, where, questions of media by opening up the entire universe of contact points between idea, customers and other potential audiences. It covers all aspects of brand behaviour at an individual level and in public - the sum of which essentially is the brand.

It encourages 'solution-neutrality' - something far more powerful than conventional integration, which often involves little more than taking the look or message of the TV or print campaign into as many environments as possible.

The Connections planning process uses a substantial range of quantitative and qualitative tools:

· Auditing: existing and past Connections for the brand, overall and alongside the decision process. It also puts this in a competitive context:

· Strategy Development: to determine the most relevant, cost-effective points of Connection between the brand and its audiences.
· Implementation: where it can be used to amplify and leverage the developed idea
· Effectiveness: a suite of measures including an overall assessment of the effect on the brand and its value to the business. The contribution of individual elements is assessed both against immediate objectives and contribution to the brand idea. For example, Direct Impact is a bespoke tool that measures brand effects of direct mail alongside response. By reviewing all measures together, it reinforces joined-up thinking in future planning.

Included are some examples of Connections process and outputs (Appendix A).

Connections represents the TBWAGroup approach. As a discipline it helps us become more solution-neutral in orientation. Regardless of approach a key issue is how Agency structures will need to evolve to deliver solution-neutral input. We believe two different models will emerge:

1) Total communications organisations which offer both advice and execution (Fig 3). Strategic advice, Connections type-thinking and idea guardianship are core. Creative direction resides in the centre and takes responsibility for the generation and quality of the core idea. Future executions might include anything from architects, artist management to training organisations.

The critical issue is that execution cannot be the key driver of remuneration (otherwise the most lucrative sources of revenue will inevitably be recommended) a fundamental shift of mindset for most communications groups.

2) Solution-neutral consultancies (Fig 4). Here specialist communications consultancies become strategic hubs, which include management, strategic, communications and media planning. They outsource all aspects of solution execution. Clients will enjoy the benefit of being able to choose their executional 'best in breed', and 'group' commercial interests would not influence advice. Creative direction remains within the executional specialists.

Fig 4

The challenges for this route are as follows:

· A potential loss of 'controlled friction' between strategist and creative, the lifeblood of communications agencies.
· Identifying who takes responsibility and credit for the 'idea behind the idea' and its creative articulation. In the case of Sony Playstation, the brand idea 'Powerful Experiences' is articulated thru' the 'Third Place' and this is where value is created for the client.
· Deciding who is responsible for the effectiveness of the activity, the central hub or the executional 'spokes'. This has further implications for remuneration.

Ideas are at the heart of this debate because they create genuine value for businesses. Agencies must become genuinely idea-centric to deliver what clients want. Depth of insight and knowledge of any individual agency seem less important than the orientation, structure and remuneration of the Communications agency of the future.

(c) Account Planning Group 1995-2002